My conceptual logo for this assignment is for a “book review/award” website, that promotes and reviews books which explore dark and abject concepts, from social politics, to feminism, mental health, and the environment. The concept behind the logo was born from the word “Ventricle”, which are components of the heart which pump blood around the body; I wanted it to be a metaphor for the way in which art plays out in society, and its relationship to us. We work to earn a living and to keep occupied, but when we get home, we unwind with art, tv shows, films, comics, books, paintings, music. Art is something that makes us human, and we are the only species on Earth which partake in ‘the bardic function’ through media. “ Fiske and Hartley (2005) argued television “functions as a social ritual” because we all gather around the screen to reinforce our beliefs and practices. They compared this custom to the way medieval audiences gathered around the talented bards to hear their stories and songs about heroic deeds, courtly romances, and mythological tales. That is why they coined the term “bardic function” to describe television’s role in the transmission of language and culture.” (Fiske, J. & Hartley, J. (2003 [1978])) I liken this ability to tell stories from the past and create stories of the future, as our lifeblood; If we only went to work, and came home to do more work, we would be extremely unhappy, and our mental health would suffer greatly. So from this I created this conceptual logo which represents the relativity of work with art and literature as “yin yang”. The logo has a black and white shaded contrast with the ying yang shape incorporated into the shape of a human heart to convey these ideas. As i am creating a blog which reviews books of an abject nature, i also wanted to use this heart to show that the exploration of transgressions in art is fundamental to the development of the human race; to the development of socio-politics, feminism, animal treatment, mental health and the human condition, the environment, and anything else which might be considered taboo and regarded as “non normative’ discussion topics. In this way, art can be seen as something that keeps us going, and keeps us alive, as well as vital in exploring our nature and condition as people, as the heart is an organ which keeps us alive. Therefore I designed a logo which incorporates the heart, and yin and yang, as a homage and metaphor to our dependency on art for our intellectual development. The design process of my logo was to hand draw a simplified version of a human heart, and to clean up the lines. I then took a photograph and pasted it into Adobe Illustrator; then I used trace image 3 colours, and recoloured the heart, before drawing the typography and repeating the same steps, or trace image, and using create outlines, to make a vector logo. I did decide to keep some of the natural shadow gradients that went through with tracing the image, as I felt it gave the logo some texture, and a dark grungy kind of style which is what I wanted for my website as it pertains to horror and abjection. Sketches and Notes Harvard References Fiske, J. & Hartley, J. (2003 [1978]): “Reading Television”. [Blog Post] ]Media Studies. Available Online:https://media-studies.com/bardic-function/ [Accessed 11/12/2023]
Author: reffoldkeal2023
Typographical Graphic Standards
Here are my typographical standards for my Development Blog for Ventricle. In the first box I have included some hand drawn alphabets, lowercase and uppercase, in my own font that I use when I am drawing. I decided that it would be perfect for this assignment because it is quite a sharp and gritty looking font, which is the aesthetic which I wanted for my horror book blog. I drew them in pencil, and took a photograph of the alphabets, which I uploaded in illustrator and used trace image, and create outlines, to make them vectors. I then recoloured the lower case alphabet to make it a bit more uniform, but left upper case as I liked the different shades on the letters, and the texture it creates. The typography I chose is Bernard MT Condensed at 36 pt for subheadings, because it stands out and is very bold, and therefore when paired with my other typographical choices, it creates hierarchy on my website, and can be used to draw attention to certain topics, for example the type of award category for the books i am using, or the winning book titles. For body copy I chose Myriad Variable Concept at 18-21 pt. I decided to give a size range on this one as sometimes if there is a lot of text on the web page, the body copy will need to be 18pt rather than 21pt, as it needs to fit on the page and still be readable. I also felt that this font looks nice against Bernard MT Condensed and Century Schoolbook, but it is still distinguishable, and adds to the hierarchy/importance of information in my blog. Finally, for subtext, i chose Century Schoolbook at 14pt, and i chose a serif font because it looks a little more formal than the other two fonts, and therefore can be used for this such as subtext, and notes underneath pictures to show who “wrote” the books winning the awards, and also for things such as added information on a topic, or at the bottom of the page, underneath body copy, and this, again, adds to the trickle of information in levels of importance. I also think that it looks nice with the other font choices and is easy to read even though it is being used at 14pt. Finally the last section of my typographical standards includes my colour theme swatches, which are black, white, and light grey. I chose these colours because they represent the colour themes of yin and yang, which aligns with the conceptual theme of my logo and blog. I allowed for the grey because it is used in the shading of my logo and could be used for things such as typography colour for quotes, and maybe banners and icons, if the standards were to be used long term. The black and white together is an obvious choice, and a classic colour combination that looks really clean together, and also allows for typography to be readable; the tonal colours are also appropriate as the blog is for horror book reviews, and i think if i had used lots of bright colours, it would not have fit with the conceptual theme of my work. Overall I think that these typographical standards work well, and when used together with one another, should create a brand and style which stays standardised, the typography, logo, and corresponding colour swatches, all pertain to my blog and “Ventricle” brand. I found the process of finding typography to compliment each other quite tedious and difficult, as most of the fonts look deeply unattractive when put next to one another, so the fonts and pt sizes are the fonts and sizes i think look good together along side my hand drawn font. It took me a couple of times to redo this typography box till I got some fonts that I felt looked good together.
Self-Promotional Image Poster
With this promotional poster, I wanted to show my most important and favourite aspect of my personality, that is,my sense of humour. I created a poster which mimics those pamphlets that get posted through your door against your will, advertisements for things you’ll maybe never use, or for food shops. In this sense, I wanted to become the product, and I also thought it would be a good way to exhibit my use of composition, typographical hierarchy, and use of good colour. I have very dry, ironic humour, and so I wanted to show that with this poster. I turned the “introducing” typography horizontal along the side as though it’s for a cheap leaflet or pamphlet trying to get your attention for this “product” that’s being sold. I also wanted to convey a sense of irony towards the packaging of things such as toys or dolls in a new shiny box, but of course it’s just me being advertised. The text has a hierarchy of bigger text to smaller text, and with a couple of different types of pink colours which go together very well, which leads the viewer to read from either top left and down, or from side right, then up, and down to the bottom, depending on which of the two grabs the reader’s attention first, either “introducing”, or “all new”. At the bottom I also wanted to put a barcode, juxtaposing my human life, nihilistically, with that of a plastic doll, or an object trying to be sold; there is also a price tag in the top hand corner. I changed the usual bright yellow of price stickers, to a bright pink, to match the colour scheme of the poster. I also used a dollar sign because I feel like this type of thing makes you think of a big yellow sticker with a dollar sign on it, advertising something silly. Though it is played out, i think the pink colour scheme recycles an old concept into something new that represents me and my personality. With this promotional poster, I wanted to show my most important and favourite aspect of my personality, that is,my sense of humour. I created a poster which mimics those pamphlets that get posted through your door against your will, advertisements for things you’ll maybe never use, or for food shops. In this sense, I wanted to become the product, and I also thought it would be a good way to exhibit my use of composition, typographical hierarchy, and use of good colour. I have very dry, ironic humour, and so I wanted to show that with this poster. I turned the “introducing” typography horizontal along the side as though it’s for a cheap leaflet or pamphlet trying to get your attention for this “product” that’s being sold. I also wanted to convey a sense of irony towards the packaging of things such as toys or dolls in a new shiny box, but of course it’s just me being advertised. The text has a hierarchy of bigger text to smaller text, and with a couple of different types of pink colours which go together very well, which leads the viewer to read from either top left and down, or from side right, then up, and down to the bottom, depending on which of the two grabs the reader’s attention first, either “introducing”, or “all new”. At the bottom I also wanted to put a barcode, juxtaposing my human life, nihilistically, with that of a plastic doll, or an object trying to be sold; there is also a price tag in the top hand corner. I changed the usual bright yellow of price stickers, to a bright pink, to match the colour scheme of the poster. I also used a dollar sign because i feel like this type of thing makes you think of a big yellow sticker with a dollar sign on it, advertising something cheap. Though it is played out, I think the pink colour scheme recycles an old concept into something new that represents me and my personality.
Adobe Photoshop Self Portrait
This is my first photoshop self portrait. I used the magnetic lasso tool to select my face from a picture, and then I used the paint bucket tool to change the colours of the shading of my face, and colours of my hair. I also layered the image on top of a circle shape to make it look more complete. I have very limited photoshop skills at this point so I did the best I could. I chose neon/fluorescent colours for a futuristic style of portrait, because I love to play video games, and I love technology, and I embrace the development of technology in society, such as the development of AI, VR, and AR. I think it’s something that could bring forth some really amazing progression to science, medicine, and technology, through the power of machine learning. I kind of wanted to make this portrait look like an AI, or an AI character from a video game, to show that I support the integration of AI, and technology in today’s society. I am excited for technology to keep developing at the rate that it has recently, and I feel lucky that it’s something I will get to witness in my lifetime. I am not good with communicating, or understanding people, but I spend a lot of time on my computer playing games, and being on the internet, and I feel like this is something that has raised me, and shaped me into who I am, so I feel a certain comfort with technology, that i have never felt from people. I chose a conceptual colour theme to connote colours such as those seen in Hong Kong’s famous city lights at night, e.g, rich neon purples, greens, and pinks, as I think this is something which is often used as inspiration for futuristic video games. I also think it makes the portrait look abstract and futuristic. This portrait is a radical change in approach from the first one, because i uploaded a photograph of a pencil sketch i did of my face, and then i used the paint bucket tool to change the colours of my face and my hair into pastel “kawaii” colours, but it did come out looking a little more bright and fluorescent than i would have liked. I wanted it to have an interesting and illustrative quality to it so I did draw it by hand, and I like how it looks illustrative but also a little bit like how cell shaded game characters look at the same time. My concept for this portrait was to just be myself and to enjoy having free creative reign over my portrait, and to express myself, whilst learning how features of photoshop work, i.e clipping masks, shapes, changing colours. I wanted to have a clipping mask so that I could put my portrait inside of a shape, and I picked the cherry blossom, because I love trees and nature; My favourites are cherry blossoms, and all kinds of pine trees, so I chose the blossom shape. Some of my fondest memories are of camping with my mum and being around nature, and it’s something that I’m glad was taught to me, because I love the trees and the flowers, and all the different colours of the countryside. Feeling out of depth with people is a common theme in my life, so I find nature to help me to feel a little less weird and out of place, knowing that I always have a place with the trees and the sky. My thought process for this design was that the blossom shape is from my favourite tree and could represent my love of nature, and has a nice composition, as well as helping to break up the intense colouring of the portrait, and allows for some depth because of the layer mask.
Adobe Illustrator Self Portrait
This is my first ever illustrator portrait, and so as I was getting to grips with the process, this is the portrait that happened during that, and so it is experimental, and has an abstract quality to it which looks interesting. In keeping the black outlines on this portrait, it makes it look like a cell shaded character, which are used in certain video games, and I have always liked games so I decided to keep the outlines. In addition, because of the incongruence of the face shape and length, it looks like a caricature of myself made up from broken shapes fitting together like a mosaic, which has a picasso like effect, which also makes this portrait interesting to look at, and i also like art, so this is relevant to conveying my personality. Furthermore, my favourite colour is pink, and so i changed the colour of the top i was wearing to match with a colour theme which i felt represented myself, and in the background i also added some simple coloured shapes, of love hearts and stars, as i love the “kawaii”, “fairy keii”, Japanese aesthetic. As a teenager i would wear rococo style dresses with petticoats, lace edging and big bows, so my love of pink today has been a certain refinement of who i was as a teenager; it has come along with me, although i have toned it down; i think through the pink colours i want to convey how fashion, and colour, has allowed me to explore who i am, and my individuality, and has evolved into who i am today. I have kept the aesthetic of the portrait in line with this conceptual colour theme, and this reflects through my colour, and background choices. However the portrait is clearly not perfect, and perhaps not professional, and so although I do like it, I think that this skill needs more practice and I would like to create more neat looking portraits, that bare more likeness, in the future. In this portrait i hadi started to understand the process a bit better. It is less abstract and has a lot more detail in the colours and shadows used. I believe this is an example of a radical change in my work, and the differences include more detail, and a different style which doesn’t use the black outlines on the shapes used to create the face, although it is not fully realism, I think it is closer to it than the first portrait. As the target audience is “the employer”, I think this portrait would be more professional looking, as well as still retaining some of my personality. I wanted to stick with a Halloween conceptual colour theme because this was taken at a Halloween party, and it is my favourite holiday of the year; this reflects dimensions of my personality because I like to embrace the darker parts of my interests such as horror books, films, and art. Furthermore, I love to do my makeup, and I feel that my face is a canvas which allows me to express myself each day; even when I don’t feel like I can get out of bed, I always end up taking joy in painting my face before I go outside. It is an art form, and I tried to convey that by breaking down the blending into block colours.. It takes me up to 1.5 hours to do a full face of this style of makeup, and i did not, in fact, “wake up like this”, i put in time and effort into this art form and i think that in showing it in a more broken down way, it reflects my personality and my dedication to an art form that i love very much.. It gives me strength when I don’t have it, and shows that I am a resilient girl. Finally, I added a geometric background, in Halloween purple shades to create an aesthetic colour theme, and to make it look more professional.
Conceptually Designed Personal Logo
My aim for my conceptual logo was to use the icon of a swan on water, so as to show the horizon line, and therefore I could convey the relationship between the earth and the sky. I wanted to embody that feeling of breathing out a sigh of contentment when looking up at a beautiful sunset, and evoking that wonderment in my clients through the use of sunset colours. I then found a way to incorporate the sunset and the clouds inside the body of the swan. I want my clients to know that they can rest easy when they put a design in my hands, and that i will do the best I can for them to embody their values in the logos and graphic assets i will create. I also wanted there to be a sense of irony to the idea of existential wonderment, and i executed this by something i have been doing with my art for a while, which is to have the moon and the stars hanging on nails as though they are hanging from the set of a play, on a stage. So I added these to the neck of the swan. I also think it adds to the nice aesthetic of pinks and purples, and connotes iconography from the sky. Within the swan, which i sketched and used trace image outline, i then started to experiment with recolouring the multitudes of shadows that came through with the image being traced, and trying to create a sunset colour mix/gradient, and i then added some clouds, to create this sunset within the swans body. I did not go as well as I would have liked it to go. I think I should have created the shape within illustrator and maybe created the gradient another way, however it does bring its own textural effect to the conceptual logo which is interesting. I also added my name typography underneath the logo, and outlined the box with the same colour outlining the typography to tie the logo together, to create the perception of someone looking into a box, as one might look down from space, into earth. This secondary logo evolved from my first logo attempt, and I still kept the swan body encompassing the sky, only I decided to place just clouds inside the swan, for a more simplistic kind of design. I wanted to create a purple themed conceptual logo to go with the corresponding name typography. I also wanted to show something more human within this logo which I chose to represent by clouds raining into a body of water. My theme of my name, and those colours, are within the colours of the clouds i put in the swan body, but also there’s a sadness there, and that is something that is a part of me, and something i embrace wholeheartedly, i believe in taking the ups with the downs, and to not run from it as it’s a part of who i am, and so i felt that the rain was a nice conceptual homage to the complexity of human emotion, and taking things in your stride. Sometimes a logo will work out, sometimes it won’t. I feel that the purple in this logo is more on the cooler side of the colour spectrum, and whereas my first logo embodies warmth with the pinks, I think that this one maybe embraces cooler colours, and cooler emotions. However, as a business logo, I don’t think that clients will look into this too deeply, so I think it is multifaceted in that it can serve its purpose as a memorable logo, with aesthetic colours that connote ‘Sky-Violet’, as well as having a deeper conceptual meaning, as i consider this art. I think that I cannot make art that represents me, impersonal. Despite this, i do not think that this is the best logo in the world, and i think that if i had better skills using illustrator, i would have been able to encompass and represent these logos to a better ability.
Typographical Name Logo
The audience for these typographical name logos are ‘potential employers’; my thought process behind this typography is that I wanted to create a name logo that I felt represents my stylistic preferences, and to give insight into my personality through my tastes. The typography displays my name, and because I have a long name with two hyphens, I tried to (almost) line those up to create a feeling of balance and symmetry in a sense. Furthermore i wanted to use the colour visuals that originate from my name, which is the purples and pinks that can be seen on certain sunsets. I chose to do this font in purple, which was an evolution from my first name logo, which was in pinks, and I decided to use a moon instead of a star, as I wanted to use iconography that pertains to my name ‘Sky-Violet’. I also decided to make the width of the font larger so as to make it seem a bit more like bubble writing, and therefore aesthetically pleasing, and more girly looking. Through the use of a script font i have created a name logo which is neither quite sans serif, or a serif font; the text does have swirling accents which are hyper feminine and could be considered born of serif font styles, but it also maintains qualities of a sans serif font. I feel this reflects my personality, neither fitting in here nor there in my life. It is a unique name logo which is multi faceted, and displays the ‘kawaii’ pastel tone colours which are my favourite colours, which i have fought to be able to love; Trying different styles and denouncing ‘girly’ colours to be someone who I am not, has been a recurrent theme in my life, but now these colours are my colours, and I want to show that through this typography. This was my first typographical name logo design, and it is using a script font that is a bit more curly and traditional than the secondary logo. I did not make this typography too wide as I wanted to keep it looking elegant and aesthetically clean. I used pink as this is my all time favourite colour, and most things I own are baby pink or a shade of pink, so it felt correct that I should choose it for my own name logo. I also chose a brighter pink outline to the logo to make it stand out, and to make it eye-catching, and also staying in theme with sunset style colours. A difference from this logo from its secondary evolution, is that it does not have symmetry, and actually plays around with space, having indentations on the bottom left, and top right, which I felt looked quite nice. It also allowed for the tail of the ‘y’ to be mirrored with the ascender accent on the ‘R’ of my last name, so although it is not symmetrical, it does bring a sort of harmony between the letters which is pleasing to the eye. I think that there is also a theme of white space being diagonal from each other, which presents a nice composition for the letters. Overall I feel that this is my favourite typography from my two choices because of the eye-catching outlines and the diagonal white spaces, in addition to the tail and ascenders of my first and last names aligning to show harmony amongst the typography. I also kept in theme of my name, and decided that the space indentation on the upper right hand side might look nice with an icon to represent my brand, and so i chose to place a star, which i feel most people associate with the sky, and also with the wonderment of looking up at the sky, which is something that aligns with my personal values of loving the earth, and nature.
Composition
Composition is the aesthetic layout, and relativity, of graphical items that make up a visual message in graphic design; According to Amadine, composition can be defined as “ In graphic design, composition is understood as a creative process aimed at ensuring the integrity, interconnectedness and harmonious combination of all elements.” (Amadine, 2023, Composition in Graphic Design, Available Online: https://amadine.com/useful-articles/composition-in-graphic-design [Accessed 03/11/2023]) Good Composition Example I think this picture has good composition for several reasons. I have broken down the composition to highlight the balance in the colours using guidelines,and the pen tool in illustrator, to break down this picture’s baseline composition, as seen in the screenshot above. I chose this picture because it is good at drawing attention to the photograph subject, which is the lady on the mattress. I feel it does this by using the rule of thirds to create a horizontal colour gradient from dark to light, which draws your eyes to the main focus of the lady. I also think this is a use of good balance too because the gradient is making use of all the space in the photograph from bottom to top. Furthermore the photograph also uses the layout of shapes to draw attention to the posing woman. On the guidelines breakdown it can be seen that the two prominent shapes, which also happen to be the darkest use of colours, are triangles, and their toplines are balanced with one another, and I think this creates a nice composition which is aesthetically pleasing for its context of a glamour shoot. Lara Jade, a fashion photographer, states her opinion that triangles are effective in fashion composition; “A triangle is a great compositional tool and a good one to remember with posing. Using them in portraits and fashion photography can help strengthen an image and make it more pleasing to the eye. Look back at how the masters of painting used it to bring attention to their subjects using the head and arms in an angular composition” (L.Jade 2016, Lara Jade’s 7 Tips for Posing Models, Available Online:https://www.rangefinderonline.com/wedding-portrait/beauty-glamour-fashion/lara-jades-7-tips-for-posing-models-2/) [Accessed 03/11/2023] I think that this has been applied to the composition of this shot, using the angle of the woman’s hand and arm, and also the shadows beneath her, to create a balanced use of triangles to create a nice composition on this photograph. Bad Composition and Rework v In my rework I decided to use guidelines to try to make everything look more symmetrical and evenly placed. In addition to this I also tried to create a hierarchy using the colour blue, and a big text heading, so that the poster reads from top down to the bottom, where the smallest text resides. According to Blue Sky Graphics, hierarchy can create good composition in graphic design, “Scale and visual hierarchy are some of the creative fundamentals that can really make or break your designs, so it is important to have a good grip on them in order to maintain a successful composition.” (Blue Sky Graphics, London, N.D, What is Composition in Design. Available Online: https://blueskygraphics.co.uk/what-is-composition-in-design/ [Accessed 03/11/2023] I also wanted to keep the central placed text from the original to keep it symmetrical, but i made the text more spaced out so it is easier to read and less offputting, as the original had all text in bold, which made it confusing as to which information was the most important. Furthermore, I also used the blue colour, but removed it from the background, and instead used it to draw attention to the car image, and to draw attention to the title headings of the poster. Blue Sky also states that “Symmetrical harmony evokes emotions of formality” ((Blue Sky Graphics, London, N.D, What is Composition in Design. Available Online: https://blueskygraphics.co.uk/what-is-composition-in-design/ [Accessed 03/11/2023]) The formality was missing from the original poster due to the chunky font, and the car picture behind the text,, and it is important for the composition of a poster which is for a fundraising/charity event to retain formality, as it involves money, and is addressing the public, especially since the format itself is quite informal (poster), the composition needed to have a level of professionalism. Harvard References (Amadine, 2023, Composition in Graphic Design, Available Online: https://amadine.com/useful-articles/composition-in-graphic-design [Accessed 03/11/2023]) (Blue Sky Graphics, London, N.D, What is Composition in Design. Available Online: https://blueskygraphics.co.uk/what-is-composition-in-design/ [Accessed 03/11/2023] C.Newbold, 2012, Five Quick Tricks to Spruce up a Poster Design, Available Online: https://thevisualcommunicationguy.com/2013/09/05/five-quick-tricks-to-spruce-up-a-poster-design/ [Accessed 02/11/2023] (L.Jade 2016, Lara Jade’s 7 Tips for Posing Models, Available Online:https://www.rangefinderonline.com/wedding-portrait/beauty-glamour-fashion/lara-jades-7-tips-for-posing-models-2/) [Accessed 03/11/2023] (Meg Reid, 99 Designs, n.d., Available online: https://99designs.com/blog/tips/design-composition-and-layout/, [Accessed 31/10/2023]
Conceptual Design
Conceptual Design is the displaying of an integrated design process or message, in which, a graphical piece (typography, logo, ect) incorporates a specific messages pertaining to their intended purpose. Webflow defines conceptual design as this “Conceptual design creates a strategy to transform a concept or idea into visual media. It’s the underpinning of a successful design process, and no project can start without it.” (Webflow, N.D, Conceptual Design: What it is and How to Build It, Available Online: https://webflow.com/blog/conceptual-designer#:~:text=Conceptual%20design%20creates%20a%20strategy,a%20completed%20project%20may%20look. [Accessed 03/11/2023]) This is a design by graphic designer Gary Dimi Pohty, it is a 2D graphic design which uses conceptual design to create a hidden meaning in the image. The design has a title which says ‘the third child’, which means the logo is about something which is about a third child. It has the silhouettes of two children who appear to be playing a game together, they are on top of a grey background, which has allowed the designer to create a third outline through the placement of the two outlines already there. In the outline there is the body of a third child, which fits with the title text, because it is about a third child. It is effective because it gets the concept across that this is about three children, and as such, displays the third child through double meaning. It also allows for the viewer to further conceptualise what this is about, what is the story about this other child. It also appears that the shape of the third child looks to be making a praying sign, because the other children’s hands go over them, and because they are the light colour, it looks like the third child’s hands are in the foreground praying. It could conceptualise that maybe the third child is being left out of this playing with the other children, and has a darker feel to it that maybe it could have been designed for a book or film with serious themes. All of this is done through the use of two shapes that have fitted together to make a third shape, and an additional meaning from the original shapes. Overall, It makes you think when you look at it which means that it is an effective use of conceptual 2D graphic design, and it is engaging to the viewer through its use of conceptualisation, which is the ulterior goal of this type of design work. Conceptualised Design I have decided to redesign Glamour magazine’s logo and to make it more conceptual. I created some clinking champagne glasses and fit them inside the letter ‘A’, as champagne and champagne flutes are connotative of glamour and a classy lifestyle. I also wanted to make it the same colour as the background colour so it kind of looks like it’s been carved into the letters. I also added some girls doing some well known glamour model poses to show that the magazine is about glamour, and incorporated these inside the letters also. I wanted to fit them inside the word itself to give the logo some further conceptualised meaning, than just having the word on its own. I think that this lets the viewer know on first glance, that this magazine is meant for femme presenting individuals and those interested in things such as lifestyle, makeup, skincare, clothes, and fashion. I used the silhouettes of a hyper feminine figure to attract readers attention to the logo and to give it a second glance to see the figures and the champagne flutes inside. In conclusion, the logo looks better having some conceptualised meaning added to the words itself and I also think that the pictures make the logo much more memorable,and having a memorable logo is essential to building a well known brand. I think it could also help femme presenting people to feel unified and empowered over their own sexuality and to feel more comfortable in their femininity in daily life, as I think it is important to have unified places to talk about women’s rights, such as magazines, and online blog posts. This logo could be used for their website as well as their print media, in addition to being used on posters and billboards. I think it is a bold conceptualised logo that incorporates a shock factor to gain attention from the reader/viewer. Harvard References C Lane 2018, Logos In The News, Magazine Updates, Available Online: https://www.logolounge.com/articles/magazine-updates [Accessed 2023] R Lisickis, 2021, This Graphic Designer Has an Eye for Hidden Meaning (30 logos). Available Online: https://www.boredpanda.com/minimalist-negative-space-hidden-meaning-logos-gary-dimi/ [Accessed 22/10/2023] (Webflow, N.D, Conceptual Design: What it is and How to Build It, Available Online: https://webflow.com/blog/conceptual-designer#:~:text=Conceptual%20design%20creates%20a%20strategy,a%20completed%20project%20may%20look. [Accessed 03/11/2023] Sketchbook Notes
Typography
Typography has a long history, starting from text being hand painted by scribes in the form of “black letter”, to its future as typefaces used on computers graphic design, newspapers, book,s and advertisements; it has allowed for the filtration of knowledge to the masses, and made information more accessible to society. According to J.M. Wells of Britannica “Typography, the design, or selection, of letter forms to be organised into words and sentences to be disposed in blocks of type as printing upon a page. ” (J.M Wells, Britannica, 2023, Typography, Available Online: https://www.britannica.com/technology/typography, [Accessed 03/11/2023]) Good Typography Example I think this is a good example of typography because of its utilisation of hierarchy when the viewer goes to look at it, and this is achieved through the use of the combination of bold and semi transparent, sans serif text; first the viewer reads the full sentence, before going back and receiving the second meaning of the text. It leads us from “Why do we want to be something more”, to “Why do we want to be so thin”. When looking at this piece, the reader can infer that there is a much deeper meaning to the sentence than on first appearance. This is followed by the small text at the bottom of the poster which has information about anorexia, and a link to a website also. In this way, the user is pulled in by the colour and text, and can easily, in order, read through the hierarchy of information, to the small text at the bottom. When looking at this typography it is evident that it has a good use of bold font, and colour to draw in the viewer, and uses two to three words in each line to keep the user engaged on the text as it is very easy and quick to read. It does exactly its purpose, which is to attract user engagement to convey a specific message, and then direct them to a website once engaged. Furthermore, the use of reduced spaces between the letters (kerning), allows the eyes to smoothly read the text, without feeling there are big awkward jumps between letters, adding to the overall punchiness of the typography; this, in addition to small leading space allows the user to read it quickly, which is necessary when the reader has to read the text twice over in order to attain the desired message, as the user could become disinterested very quickly with something that requires a double take. Bad Typography Reworked This is my redesign of the original logo prior; I made the decision to remove the colours because, although the idea on the original logo was to create a 3D glasses type colour theme to make the text seem like an optical illusion, it was actually subservient to its purpose of being able to convey information. I felt that it made the text hard to read, and the secondary background text was lost in translation, therefore I decided to do a much more toned down version of this, using a main text in black, and a secondary background text in grey. There is a slight overlap to keep the 3D feel of the logo, but without being unappealing and distracting from the type. I also tried to maintain the feel of the text jumping out at the reader by using the envelope distort, and make with warp tools on illustrator at 20%. I feel it keeps the feeling of a text in motion without being too harsh on the eyes like the first logo. In the positioning of my typeface, i noticed there was a shape in the negative space around the text, a diagonal line, in which i saw a shape, and realised it looked like the profile silhouette of an open laptop, and i decided to incorporate this into my design to show that the text is coming out of a laptop or an open webpage on the laptop. I wanted to use ‘Minion Variable Concept’, a serif typeface, to make the logo seem more professional for a web design slogan, as many businesses will employ web designers to create their main websites, so it is important to maintain a feel of professionalism reflected in the slogan. In future I would like to be able to make better logos, incorporate good use of colour, and have a better understanding of composition. Harvard References Bolden(2022) Bad Design Vs Good Design: 5 Examples We Can Learn From. Available Online: https://www.interaction-design.org/literature/article/bad-design-vs-good-design-5-examples-we-can-learn-frombad-design-vs-good-design-5-examples-we-can-learn-from-130706 [Accessed 07/10/2023] (J.M Wells, Britannica, 2023, Typography, Available Online: https://www.britannica.com/technology/typography, [Accessed 03/11/2023]) Kara Holmstrom (2023) The Importance of Typography. Available Online: https://www.digglescreative.com/blog/importance-of-typography-in-advertising.html [Accessed 07/10/2023] Xoja (2010) Anorexia By Xoja on Deviant Art. Available Online: https://www.deviantart.com/xoja/art/Anorexia-149163506?q=boost%3Apopular+in%3Adigitalart%2Ftypography&qo=9&offset=70#comments [Accessed 07/10/2023] Sketchbook Notes